Catherine Was Great (by Mae West; produced by Michael Todd) is an opulent and incredible fancy-undress affair in which the queen of all the sirens essays the Empress of All the Russias. "Catherine," said Mae West in a first-night curtain speech, "had 300 lovers. I did the best I could in two hours." For a while her best was reasonably good: she seemed to make Lords of the Bedchamber of the whole Russian court and boudwarriors of half the Russian army. As she followed her hips about the stage in a solemn slink, as she languidly drew shameless innuendos from her husky throat, Actress West caught some of the aplomb, humor and matchless vulgarity of her "Come up and see me some time." But pretty soon her unvaried role began to pull and so, soon after, did her unvarying way of playing it.

Worse yet, the man-eater in Catherine was not enough for Actress West; she insisted on encompassing the Empress as well, and far from spoofing the imperial manner, tried to outdo it. When a courtier reminded her that "They also serve who only stand and wait," she replied "Quoting Milton's 'prome', I presume!" She had sponged up enough history to soak her play with wars, uprisings and palace intrigues. But the excitement was conveyed in dialogue that had the specific gravity of lead, and the results, when not merely sedative, were often crushing.

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