GOING

Best Plays in Manhattan

STREET SCENE--Dramatic diagnosis of tenement house fevers.

JOURNEY'S END--Britons straining to be Martians.

IT'S A WISE CHILD--Fetal, not feeble, farce.

CIVIC REPERTORY THEATRE--Eva Le Gallienne's fine art theatre justifies the name (different play nightly).

STRICTLY DISHONORABLE--Comical, less accessible than the speakeasy which it portrays.

ROPE'S END--Ernest Milton illustrates the psychology of horror.

SUBWAY EXPRESS--Astute villainy, a nice opportunity for crime-solvers.

MANY WATERS--Tender pictures of youth and pain, age and sorrow.

CRIMINAL CODE--The penal system dynamically exposed.

JUNE MOON--Wisecracks among songwriters.

BERKELEY SQUARE--Leslie Howard drops in on his ancestors.

Musical: FOLLOW THRU, THE LITTLE SHOW, HOT CHOCOLATES, SWEET ADELINE, BITTER SWEET, A WONDERFUL NIGHT (for Johann Strauss's score--Die Fledermaus).

Best Pictures

DISRAELI--You will always believe that he looked like George Arliss.

WHY BRING THAT UP?--Moran & Mack present their famed Southern sound effects.

WELCOME DANGER--Harold Lloyd embroiled with dope peddlers.

This file is automatically generated by a robot program, so reader's discretion is required.