Best Plays

These are the plays which, in the light of metropolitan criticism, seem most important.

SERIOUS

THE DYBBUK -- A matchless production of a Jewish legend mystically combining love and religion.

YOUNG WOODLEY -- Glenn Hunter displaying the acute agonies of a schoolboy who has fallen in love with his algebra master's lovely wife.

CRAIG'S WIFE -- The portrait of a lady who so worshiped her home that everything in it was a museum piece except her husband.

LULU BELLE -- An exciting blast of trash about a Negro singer who graduated to a luxurious Paris boudoir.

CYRANO DE BERGERAC -- Walter Hampden making one of his periodical and singularly satisfactory revivals of the Rostand classic.

LESS SERIOUS

THE WISDOM TOOTH -- A touching fantasy about a young man who never was much good until he recaptured his childhood in a dream.

THE LAST OP MRS. CHEYNEY -- Ina Claire and a flawless troupe telling the tale of stolen pearls in lofty English society.

MUSICAL

For melody and maidens these are dependable: Cocoanuts, Pinafore, No, No, Nanette, Tip-Toes, Sunny, The Vagabond King, Artists and Models.