Monday, Sep. 15, 1924

In Manhattan

Summer is over. Italian names are being inscribed in the leading New York hotels. Two opera companies, taking advantage of the Metropolitan's comparatively late opening, are simultaneously offering their wares.

The San Carlo run opens at the Jolson Theatre on Sept. 22. Impresario Fortune Gallo will present standard repertoire, spiced by the appear ance of two important "finds" in the way of singers. Tina Paggi, Italian coloratura soprano signed up at Chicago last year, has just swept South America and Asheville, S. C, with enthusiasm and, it is said, has inundated box offices with buckets of real gate-receipt money.

There is also Mr. Louis Rosseau, American tenor, who was discovered wasting his time in Paris last June. He has risen from a position with a banking house at No. 100 Broadway to the heights of stardom at the Opera Comique. He can sing leading male roles in 42 operas, and is equally at home in French, German, English, Italian.

The Manhattan Grand Opera Association flings wide the swinging doors of the Manhattan Opera House on Sept. 15, with a gala performance of Aida. The ranks of the company have been filled to overflowing with a chanting pilgrim band of Milanese, Neapolitan, Venetian, Roman artists who arrived on the steamer Conte Rosso. Among them are Mme. Clara Jacobo, Adriana Boccanera, Beatrice Melaragno, Frances Cairone, Gius- eppa La Puma, and Signori Giuseppe Radaelli, Rino Oldrati, Giuseppe Oliviero, Amadeo Taverna, Italo Picchi.